I am generally a fan of remakes of
The Wizard of Oz. There is something universal and compelling about that film which almost invites people to remake it in different contexts or settings. That said, few (read: none) of the remakes have been very good. So I was intrigued to hear they planned to do the prequel to
The Wizard of Oz. This sounded like it could hook into the desire to see a good remake while avoiding the pitfalls of actually remaking a great film. Unfortunately,
Oz The Great and Powerful was doomed by a series of bad choices which just made it excessively dull.
The Plot
Oz The Great and Powerful is the prequel to The Wizard of Oz. The story begins with the Wizard (James Franco) a carnival magician, being sucked into a tornado. He is in a hot air balloon for reasons that take fifteen minutes to develop and which you absolutely don’t care about. Naturally, he crashes in the Land of Oz. Once there, he runs into Theodora (Mila Kunis), a naive girl with hidden witch powers. She immediately thinks that Franco is the wizard of a local prophecy: one who will come and free them from an evil witch. Theodora believes the evil witch is Glinda (Michelle Williams) because that is what her not-very-nice sister Evanora (Rachel Weisz) tells her.
Franco is a conman with a heart of gold, of course, and he embraces the prophecy as a means to get his hands on Oz’s massive treasure... or to help them, it’s not clear. He befriends a flying monkey who becomes his sidekick and a China doll whose legs he repairs. He then meets Glinda and learns that she’s actually a good witch and that she protects a city of Quadlings, Tinkers and Munchkins.
Meanwhile, Evanora tricks her sister, who had fallen in love with Franco somehow, into believing that Franco is two-timing her with Glinda. In her anger and sorrow, Theodora takes a green apple from Evanora. This apple withers her heart and makes her evil. It also turns her green... like Kermit the Frog. And let me tell you, it ain’t easy being green. Anyways, the two now-evil witches decide to eradicate the plague of Quadlings, Tinkers, Munchkins and Francos, and the other side fights back. The whole thing ends in a surprisingly entertaining battle of wits.
Bad Choices
I said in the intro that Oz The Great and Powerful was doomed by its choices. What choices you ask? Well, let’s discuss.
● Misfired Opening: The film opens in black and white. It involves a carnival in Kansas and it has all the actors you will see in Oz playing real people here. There’s even a girl who looks like Dorothy. This is all meant to remind you of The Wizard of Oz. Even the aspect ratio changes once we hit color footage. Unfortunately, rather than being clever, this is a huge mistake because this opening is so oddly similar to The Wizard of Oz that it immediately blurs the question of whether they are doing a prequel or a remake of The Wizard of Oz. Yet, it is also so different that it feels like a truly sloppy remake. So as you find yourself watching this, you feel confused and you feel underwhelmed by their attempt to “retell” The Wizard of Oz, even though they aren’t actually retelling that story. It was a bad choice.
And that choice was made all the worse by the length of this portion of the film. The opening is just longer than 15 minutes and the problem here is that none of this is all that interesting and none of it will matter in the rest of the film. In fact, you know that nothing you are watching will be the slightest bit relevant, so it’s hard to care about the first 15 minutes of the film. So basically, the film gets off on a very wrong foot and leaves you struggling to care about the story before it even begins.
● Casting.. or perhaps direction: The next problem was casting, or at least direction. Rachel Weisz does an excellent job as the evil witch. She’s a solid actress who brings just enough menace, believability, and style to the role to make her everything you need in a villainess. The only problem is that she fades into the background too often and is overshadowed by everyone else. She also turns into a generic Raimi witch at the end (something we’ve seen throughout the Evil Dead series and in Drag Me To Hell).
Michelle Williams is adequate as Glinda the Good Witch, although she’s not daffy enough to ever grow into the Glinda from The Wizard of Oz without first suffering senility or some sort of stroke.
Both of those actresses are fine, except that while they are playing the story straight, Kunis and Franco are engaged in melodrama. Kunis goes through wild mood swings that aren’t really rooted in her character and then, when she turns evil, she does her cackling best. I actually like what she does a lot. In fact, she breathes life into the role of the witch. But it doesn’t mesh with Weisz or Williams, who apparently didn’t get the memo that this was to be a melodrama.
The real problem, however, is John Leguizamo James Franco. Franco plays the Wizard somewhere between melodrama and a Sesame Street appearance. The result is that many of his actions feel like he’s acting – such as when he screams to himself “I can’t swim” when he crashes in a pool of water and he thrashes around until he realizes he can just stand up. It feels like he’s doing a routine... a routine we’ve seen done a million times. Moreover, because of the Sesame Street angle, his misbehaviors are never real, i.e. you know he’s a good guy no matter what he does, so his conversion to good is kind of meaningless. And his choice of melodrama throughout means he has no chemistry with any other character and it becomes impossible to believe that anyone would actually put their faith in him.
● Take No Chances: An even bigger problem with the film is that there isn’t a single moment where the film takes any chances. Everything is exactly what you expect and there isn’t a surprising moment to be had. Even the magic trick Franco does in the intro has appeared in better films and was done exactly the same way. He claims to be the best fake magician around, couldn’t they at least give us something we haven’t seen before to help us believe that?
This has been my problem with director Sam Raimi’s post Army of Darkness career: he gives you exactly what you expect and never challenges you or gives you anything more. Essentially, he is a technician, not a creative type, and his films lack those “wow” moments, and that’s on full display here again.
● An Incongruous Costume Choice: There is one costume choice I need to call out as well. Overall, the whole film has a 1930’s art deco style. Everything fits that perfectly, from buildings to costumes, and it gives the film a definite style that works really well. However, in the middle of this world of tuxedoes, bellhop costumes, decorative soldiers and evening gowns, they choose to put Kunis into black leather pants. Not only does this not fit the 1930’s style at all, but when she turns into the Wicked Witch, it makes her costume different than the one that would eventually be worn by Margaret Hamilton. It is a minor point, but it is noticeable, especially as this issue was easily avoidable.
The result of the above is this: you have a film that loses you in its first 15 minutes. The next hour and fifteen minutes are visually stunning, but emotionally empty and struggle to win you back. The characters go through the motions and you really just don’t care. There are tonal problems and the writing doesn’t impress. There are no memorable moments and nothing you will take with you once the credits roll. You will find yourself looking at your watch a lot.
At the hour and a half mark, however, the film finally kicks into gear. This is the point where good and evil prepare to square off against each other and then proceed to do battle. From this point forward, the film has a solid pace, some fantastic imagery (even if it is very similar to Curoscant from the Star Wars prequels), and a plot that becomes quite fun to watch. The story is somewhat unpredictable at that point and even the moments you can predict are so well done that you will enjoy them.
So is this worth seeing? Well, if you’re at all a fan of the Wizard of Oz remakes and homages out there, then I would say yes. Visually, the film is stunning. The last twenty minutes are truly fun to watch. The first part is dull, but you can get past that. I would recommend, however, adjusting your expectations to seeing the film as essentially a quasi-melodrama aimed at kids. So if that’s cool for you, then see it.
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