● Worshiping The Past or Intimidated By The Past?: Bird describes Disney as “a classic Cadillac Phaeton that had been left out in the rain. It was this amazing machine that was beautiful but old and getting a little decrepit. . . [their] movies were still well executed, if uninspired.” He then ads that the problem with Disney was that:
The company’s thought process was not, “We have all this amazing machinery—how do we use it to make exciting things? We could go to Mars in this rocket ship!” It was, “We don’t understand Walt Disney at all. We don’t understand what he did. Let’s not screw it up. Let’s just preserve this rocket ship; going somewhere new in it might damage it.”Substitute “Ronald Reagan” and tell me that doesn’t describe conservatives perfectly. Conservatives live in Reagan’s shadow, afraid to do anything he didn’t. We need to break free of this mindset and step out of his shadow.
● Beating Complacency: One of the biggest flaws in conservatism today is this head-in-the-sand mindset by which conservatives assure themselves that everything will get better if they just keep doing what they’ve always done. Bird said it was the repudiation of this attitude which attracted him to Pixar:
[I was told], “The only thing we’re afraid of is complacency—feeling like we have it all figured out. We want you to come shake things up. ... For a company that has had nothing but success to invite a guy who had just come off a failure and say, “Go ahead, mess with our heads, shake it up”...Even in good times, companies or political parties need to constantly fight against complacency. They need to be constantly evolving and looking for ways to improve, to make things better. This has been the biggest failing of conservatism for two decades now. . . it’s stagnated.
● How To Fix Things: The Republican Party is famous for picking silverbacks as leaders. It always looks to its most senior members to set the agenda. That’s a horrible idea, especially when the current plan isn’t working. We act like GM in a Pixar world. Said Bird of how he shook things up when making The Incredibles:
I said, “Give us the black sheep. I want artists who are frustrated. I want the ones who have another way of doing things that nobody’s listening to.”Almost every dying company that has ever turned itself around (and most of the best companies who stay on top) do this. They look for the people who have the ideas that the establishment thinks can’t be done. Conservatives need to learn to accept this and to stop hoping the establishment (Rush and Hannity and Boehner and Heritage Foundation) will stumble upon the next great idea. . . they are too comfortable to think like that. In fact, consider this from Bird as well: “The best leaders are somewhat subversive, because they see something a different way.” Who would you say are our subversive leaders?
● Teambuilding: Finally, to make a successful film, Bird says you need teamwork with everyone’s “creativity [working together] in a harmonious way. ... Otherwise, it’s like you have an orchestra where everybody’s playing their own music. Each individual piece might be beautiful, but together they’re crazy.” This describes conservatism. Look at how none of the radio talkers work together and how Breitbart and Daily Caller compete rather than coordinate. Conservatism needs to learn the art of teamwork. Dozens of individuals suffering from groupthink is not teamwork.
In that regard, we need to learn to build up our people. Bird notes that Disney in its heyday and Pixar both have “Universities” to encourage their employees to “learn outside of their areas, which makes them more complete.” Most of the best companies do this do. Unfortunately, conservatives rarely do this. There should be policy shops in each area of expertise, public speaking programs, marketing/communications programs, etc. There is no excuse for any party member (Tea or Republicans) not to be fully trained in these things. Bird also notes that they designed the building specifically to force people to keep running into each other. Once again, the message is to come together as a team. It’s time conservatives became a village rather than a series of forts.
Thoughts?
Now here are more links you might want to check out, courtesy of Scott:
The price of foreign funding
The teen romp 21 and Over is nowhere near my radar but, apparently, it was partly financed by Chinese money and the filmmakers were required to cut an alternate version of the film specifically for Chinese audiences... I hope I'm not the only one who has a problem with this! While the American version is a simple tale of youthful rebellion (with the requisite T&A), the Chinese version is a more wholesome story about the west's hedonistic ways. The filmmakers even had to shoot new material in China specifically for this version. While show business is above all a "business," this doesn't bode well for anyone: filmmaker or audience member.
The two stages of Hollywood soul crushing
Meet Daniel Wilson, author of How to Survive a Robot Uprising and Robopocalypse, both of which were going to be turned into movies at one point. Several years later and it still hasn't happened yet. Wilson details the high highs and the low lows and the long process involved in simply getting the chance to maybe make a movie one day. Truthfully, it's a miracle any movie gets made, let alone a good one!
A radical idea for the new Star Wars trilogy
The author is this article suggests that Disney remake the prequels. Of course they won't, but it's a pretty interesting idea nevertheless. I don't agree with all the ideas suggested here but no other movies have been analyzed to death as much as the prequel trilogy and the raw material is there - all it takes is someone who knows what to do with them.
15 thrillers from the 70s you may not know
In the midst of Vietnam, Watergate, ad infinitum, Hollywood managed to crank out some great thrillers, which reflected then-current fears and anxieties about our country and the people running it. Of the ones mentioned in this article, I can say the following: Black Sunday is badass, Executive Action would NEVER get made today, Twilight's Last Gleaming is good but not as incendiary as I expected, The Anderson Tapes is okay, and The China Syndrome is, for better or worse, a classic. The rest I need to see.
A look back at the penultimate Marx Brothers movie
1946's A Night in Casablanca is not a great movie but it's not bad. Not bad at all. It's really not a parody of Casablanca, despite Warner Brothers' concerns and Groucho's caustic letters to the WB brass. Once again, Groucho plays a hotel manager, Harpo is a valet for a sadistic bully (played by veteran Marx Brothers villain Sig Ruman), and there's a love story, a couple of songs, the usual. Not a classic but still worth watching. There's one exchange I love when Groucho's date tells him she wants champagne and when the waiter shows up, Groucho says, "Get this lady a cheese sandwich. Charge it to her!"
