Written by one of my favorite directors, Luc Besson, The Family stars Robert De Niro and Michelle Pfeiffer as a married couple who just moved to France. It also happens that De Niro is a mobster (Giovanni Manzoni) who has turned states evidence against his entire gang and is now in the witness protection program. Dianna Agron and John D’Leo play their children and Tommy Lee Jones plays Robert Stansfield, their frustrated contact person with the FBI.
All of this is being done under the noses of the FBI agents who watch the family to make sure they stay out of trouble. That said, however, Jones knows the family is doing these things and he keeps threatening to end their government protection if De Niro doesn’t stop. De Niro responds by agreeing to stop causing problems and instead sets out to write his memoirs... memoirs the FBI cannot let De Niro publish.
A bloodbath ensues.
Why This Film Didn’t Work
The most critical aspect of making any comedy work is tone. No matter how good a comedy may seem on paper, if the tone of the film isn’t right, the overall feel of the film won't be right. And this can be tricky. Indeed, the landscape of films is littered with “dark comedies” that couldn’t quite find the right tone. Even Ghostbusters would have come across as a weak horror film that couldn’t decide if it would rather have been a comedy if it been just a little more serious – much as Frighteners comes across.
At first glance, this film appeared to be another Midnight Run, a brilliant comedy that plays like a drama but keeps you laughing by hitting the right tone at the perfect moments. Unfortunately, it wasn’t even close. The problem with The Family is that it never once comes across as a comedy.
Even when something seems kind of funny, the film never follows up on it. For example, I did laugh when Michelle Pfeiffer set fire to the store as revenge; it was very unexpected and opened all kinds of doors of comedic potential. But rather than make this the focal point of the story, perhaps with De Niro freaking out about what his wife has done and trying to cover it up from the FBI, they just take it in stride. De Niro barely even mentions it. The locals never investigate. The FBI doesn’t find out about it. And the film just drops it. Ditto on the water system guy and the plumber. Not only is it not credible that there would be no consequences, but these are the extreme moments that are supposed to make us laugh and they just get dropped by the film. Even the manuscript De Niro is writing is tossed aside and never goes anywhere.
So what you have here is a film that may have looked great on paper. You can see how the setup alone is appealing, as it appeared in the trailers. The actors seem perfect for the role. The story contains many of the elements a comedy should. But in moving it from paper to film, this one fell apart because it never came near projecting a comedic tone. At best, it comes across as a weak action film with a few outrageous moments that may have been intended as humor. In fact, if you didn’t tell people this was meant as a comedy, I doubt the audience would have known.