In the wake of Vietnam, Watergate, and several assassinations, Hollywood films began to reflect a more cynical and paranoid culture, where the enemy was often not out there but perhaps right next door. Thus was born the conspiracy thriller. People often mention Three Days of the Condor, All the President’s Men, and Marathon Man, along with lesser-known films like Executive Action and Twilight’s Last Gleaming. But for me, the most unsettling film of the bunch is The Parallax View.
Presidential candidate Charles Carroll is assassinated at the top of the Space Needle. An armed man is chased and falls to his death, but another armed man gets away. A Congressional committee determines that the assassination was the work of a lone gunman. Three years later… one of the witnesses, TV reporter Lee Carter (Paula Prentiss), visits her ex-boyfriend, newspaper reporter Joe Frady (Warren Beatty). She explains that a number of witnesses to the assassination have died under mysterious circumstances – she fears she’s next. A short time later, she’s found dead and the police label it a drug overdose. Frady decides to investigate and finds himself in the small town of Salmontail where the sheriff tries to kill him near a dam as its floodgates open. Frady gets away and discovers documents in the sheriff’s house relating to the mysterious Parallax Corporation. Their stock in trade: recruiting assassins. Frady also talks to Carroll’s aide Austin Tucker but the boat they’re on explodes. Frady, presumed dead, applies to Parallax under an alias.
frequently dwarfed by his surroundings. There are shots toward the end of the film… mundane things like escalators and tile ceilings, but they way they’re framed (in full anamorphic widescreen), they take on a slightly more sinister appearance. Michael Small’s sparse score contributes to the uneasy feeling. There’s a theme, which works as a twisted anthem. The assassinations aren’t scored at all, nor is the sequence on the plane. And then there’s the Parallax test, which is given a folk melody with a male hum. The test took four months for the filmmakers to research and edit and it’s simple yet a little unnerving. (In the novel, the lead character simply reads words while his reactions are monitored with a special eyepiece.) And the first time I watched this, I nearly jumped out of my seat during the dam scene when the floodgate alarm goes off.
liberal suburbanite, and Black Sunday, in which he plays a VA bureaucrat.
There might be a 70s vibe to the movie at times – the plane/bomb scene might be the most dated for obvious reasons – but it still holds up, though it’s not mentioned nearly as much as similar films from the period. I have no idea why. It’s very low-key, the character relationships are all very understated, and there’s no partisanship. (Frady doesn’t place blame on our government or any particular politician, and the Parallax Corporation goes after people of all stripes.) Pakula’s stated intention wasn’t to trash America but to simply ask what happened to it.
“We're in the business of reporting the news, not creating it.”
(Special thanks to Film Score Monthly’s online liner notes by Scott Bettencourt and Alexander Kaplan for the behind the scenes trivia.)